Scars Sealed In Gold

“To banish imperfection is to destroy expression, to check exertion, to paralyze vitality. All things are literally better, lovelier, and more beloved for the imperfections which have been divinely appointed, that the law of human life may be effort, and the law of human judgment, mercy.”
– John Rushkin –

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It seems that “banishing imperfection” is the obsessive past time of our modern society. Current ideas about beauty, success, wealth or piety become enshrined upon the golden altar of desire and happiness that the faithful flock to. Perfection is the ultimate goal. It is celebrated and rewarded. Individuals or groups who achieve this rare state are paraded around platforms, their voices filling our sound waves, their images filling our screens, and their formulas filling our bookshelves. It is a lucrative business to be perfect. No wonder we are living in such an epidemic of human anxiety and fear as the banishing of imperfection is not working out that well for 99.99999% of us!

There are many reasons why we may crave perfection. Perhaps the fear of vulnerability is one of the greatest? When we are vulnerable we expose ourselves to the possibility of rejection. Vulnerability is risky. Vulnerability destroys the enshrined ideas of perfection. When we choose vulnerability we choose courage instead of fear, authenticity instead of image, and the messiness of what it means to be human, instead of perfection. Vulnerability takes a sledge hammer to the golden calf of perfectionism that reigns supreme in our political, religious and celebrity spaces, and in our own lives.

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I am someone who, especially in my first half of life, struggled with the constant need to get it ‘right’. The fear of failure or not being the ‘good girl’ left me open to all sorts of dreadful possibilities. Ones on the Enneagram are known for our often unhealthy relationship with perfectionism. Over the years it has been crisis and wounding that have served as my faithful and undesirable coaches, calling me out of this unhealthy obsession. Like Rushkin (and my parents) would say, life is not easy. We live with effort and we all need mercy and compassion, not just for others, but most often we need a healthy dose for ourselves.

There is a Japanese philosophy of ‘wabi sabi’ which compels us to consider the beauty in the flawed. It is hinged to the Japanese feeling of ‘mottainai’, the regret of seeing anything wasted. In other words, in Japanese thought the idea of suppressing something that has happened because it is considered painful, a failure or imperfect, is a total waste. There is something beautiful in life’s imperfections. It is this philosophy that undergirds the art of ‘Kintsugi’, of mending broken pottery not in a way that makes the breaks invisible, but rather highlights them with gold.

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These exceptional pieces of art are not only beautiful because they are crafted by a master potter, but because their imperfections are displayed for the world to see. In a sense, Kintsugi art is a celebration of scars. What a totally different philosophy than the angst-inducing ones that permeate our modern culture.

The idea that we can eradicate imperfection is a futile one and the pursuit of perfection is ultimately meaningless. Consider this in light of ‘body image’, wealth, work, religion, and the expectations of modern life. Humans are not meant to be displayed as a piece of perfect pottery on some grandstand built on cultural, religious or relational accolades. We were meant to live life to the full – to love, to embrace, to listen, to consider, to risk, to fall, to fail, to triumph, to trudge through valleys and to scale mountains. In order to do that we need a huge supply of special golden lacquer so that we can take time to highlight our story when the cracks appear.

So, dear friend, stop listening to the voices from without and within that demand your perfection. Take the risk of becoming vulnerable. You may lose some ‘friends’ and no longer sing in the choir of the impeccably dressed, or stand on the platform of the piously accomplished, but rather you will join the crack pots on the margins, with their bucket loads of gold lacquer … and there you will find grace beyond measure.

“There is a Japanese word, kintsukuroi, that means “golden repair.” It is the art of restoring broken pottery with gold so the fractures are literally illuminated – a kind of physical expression of its spirit. As a philosophy, kintsukuroi celebrates imperfection as an integral part of the story, not something to be disguised … In kintsukuroi, the true life of an object (or a person) begins the moment it breaks and reveals that it is vulnerable.”
– Georgia Pellegrini –

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